0:00:17 | so um this is a talk about uh if the class i two um |
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0:00:22 | a non-negative matrix factorization |
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0:00:24 | so the outline is uh as follows that will uh uh briefly recall some uh |
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0:00:29 | previous work about uh i S nmf and uh |
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0:00:33 | describe the |
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0:00:34 | latent a statistical model um |
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0:00:37 | a two D is uh |
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0:00:38 | specific uh and N F L |
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0:00:41 | uh then that will uh present some uh a way of actually uh smoothing the activation the question |
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0:00:49 | and |
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0:00:50 | the major contribution |
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0:00:52 | work |
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0:00:53 | uh |
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0:00:53 | going along with of course an algorithm |
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0:00:56 | which is uh going to be a majorization minimization |
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0:00:59 | algorithms |
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0:01:00 | and the |
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0:01:01 | before giving a few entries |
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0:01:04 | so this is only to uh introduce my annotations of them |
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0:01:09 | the data here the non-negative data here is going to be a view of dimensions F by and so |
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0:01:16 | a stack frequency here and and is a number of frame that |
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0:01:20 | and |
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0:01:21 | and the dictionary matrix W the activation matrix H at the number of components K |
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0:01:27 | and um so uh |
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0:01:30 | and then F A |
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0:01:32 | usually involves a |
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0:01:33 | minimizing in |
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0:01:35 | uh |
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0:01:36 | a quaternion of uh this form and are non negativity constraint of the value |
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0:01:40 | H |
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0:01:41 | with specific uh |
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0:01:43 | cost function here which in our case will be it a quite effective that mentions that that will |
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0:01:47 | intra justly |
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0:01:49 | so the applicative context here is a unsupervised the music you have representation |
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0:01:54 | uh so we will deal with a um |
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0:01:56 | audio spectrograms |
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0:01:58 | okay |
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0:01:59 | and the idea is to uh |
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0:02:01 | learn some uh representative the spectral patterns of thoughts on the spectrogram |
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0:02:06 | spectrogram |
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0:02:08 | uh and of course uh so there's which you should questions about uh how to choose who V uh whether |
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0:02:16 | you should choose the magnitude or |
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0:02:17 | or spectrogram uh how to choose the measure of fit that using the |
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0:02:21 | in the decomposition |
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0:02:22 | and also and then estimate can did you was um |
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0:02:26 | uh a wrong K approximation you approximate the spectrogram is the son of |
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0:02:30 | uh a rank one spectral grounds and |
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0:02:33 | question is uh if i want to retrieve a uh the comp the corresponding components in the time domain |
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0:02:38 | uh how should i in this or rank one a spectrograms an |
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0:02:42 | how should i did phase in |
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0:02:44 | so well |
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0:02:46 | um |
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0:02:47 | a generative approach uh for in serving this the questions that |
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0:02:51 | is uh |
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0:02:52 | what every shot to a tech wise i two and then S um |
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0:02:55 | uh |
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0:02:56 | the uh with a latent model that is as follows so |
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0:03:00 | uh let X |
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0:03:01 | B you or uh complex value the uh stft "'em" |
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0:03:06 | oh the signal you want to decompose so |
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0:03:08 | X is different from V O X is a a complex a complex value of data |
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0:03:13 | it's you assume that um |
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0:03:15 | yeah data so a comp the a time-frequency coefficient |
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0:03:18 | uh it's uh uh F and that |
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0:03:21 | uh |
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0:03:22 | he's a sum of uh components C K S and so okay the uh component index set at feast can |
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0:03:28 | see and is the frame |
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0:03:30 | uh complex value the such that this coefficient a |
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0:03:35 | as uh |
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0:03:36 | complex a circular a complex uh a gaussian distribution a |
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0:03:41 | uh meaning and uh you have to run done the phase them |
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0:03:44 | uh we such a structure on the variance and so basically a rank one uh a structure in the on |
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0:03:49 | the variance |
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0:03:50 | then you can it very easy to show uh uh i assuming that the components are independent |
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0:03:55 | uh that the log-likelihood function and |
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0:03:57 | easy quite two |
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0:03:59 | uh uh it that quite set to they've jones between the power spectrogram of of data so that's |
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0:04:05 | uh absolute value of X to the square |
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0:04:08 | um |
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0:04:10 | where the it why quite side to uh had a chance is uh defined a |
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0:04:13 | by this equation |
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0:04:16 | um uh so that's um |
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0:04:20 | quite a nice uh thing to i mean to this model is quite a nice thing uh to high because |
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0:04:26 | it's a |
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0:04:27 | to truly we uh |
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0:04:28 | it's a it's a proper uh generative model of the of the spectral grand |
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0:04:32 | and in particular |
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0:04:34 | if uh you |
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0:04:36 | quantity of interest uh is the um |
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0:04:39 | and the the the the components of |
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0:04:41 | you can uh construct these components |
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0:04:43 | uh in a statistically run the the way for example to take the the and in C uh estimate of |
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0:04:50 | coefficient uh uh component a high frequency F and and |
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0:04:54 | it simply |
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0:04:55 | uh of in a filter out the time-frequency mask |
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0:04:58 | applied to at of summation |
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0:05:00 | uh and uh |
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0:05:01 | the time-frequency mask mask to defined by the contribution of |
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0:05:05 | uh that component |
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0:05:07 | uh in terms of ions divided by the variance of all the company |
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0:05:13 | so that's uh that's it a quite so in M F the the the the the the basic that don't |
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0:05:19 | so |
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0:05:19 | of course uh audio |
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0:05:22 | exhibit some some a time cost stance some |
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0:05:24 | are we didn't see |
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0:05:25 | and uh i taking this uh information to account uh tan |
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0:05:31 | lee to uh more the estimation of H and thus so the value of a reduced to uh i don't |
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0:05:36 | see beach ambiguities a |
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0:05:38 | and they're still to charlie |
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0:05:40 | more present component reconstruction |
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0:05:42 | so in this work |
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0:05:44 | we we want to uh |
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0:05:46 | so if a P the uh and then F uh a problem not |
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0:05:49 | where we uh |
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0:05:51 | at the uh |
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0:05:53 | a and i'll see a function a which measures on |
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0:05:56 | this looks nests of the rows of H |
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0:05:59 | another the question is a how should we uh |
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0:06:01 | choose all uh bill this uh this most knots constraint then |
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0:06:06 | and again a we can take a generative approach uh which is what we did in uh in in previous |
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0:06:11 | work as well where don't |
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0:06:12 | where we propose to uh |
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0:06:15 | model the smoothness of the activation coefficients in terms of uh markov of chain so |
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0:06:20 | either our are in house gonna all an on of change could the present |
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0:06:24 | and non negativity so the id simply |
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0:06:27 | to assume a prior a for H T and now so |
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0:06:30 | um |
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0:06:31 | the activation creation of |
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0:06:33 | uh component K at frame hand |
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0:06:35 | to be searched that |
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0:06:36 | the mode would of |
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0:06:37 | this uh a distribution is obtained |
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0:06:40 | uh i |
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0:06:41 | the coefficient |
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0:06:42 | in the previous frame |
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0:06:43 | okay |
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0:06:44 | so you can basically uh a black here a ga now and again a distribution and that |
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0:06:49 | so you obtain |
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0:06:50 | this kind of a questions |
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0:06:52 | and you get a um |
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0:06:54 | a shape parameter and five here |
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0:06:56 | which controls the peak S of them over the |
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0:06:59 | around around uh the previous value you uh H K |
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0:07:01 | and minus |
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0:07:04 | so it you do uh map estimation of uh using this uh this prior for for H |
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0:07:09 | you will get them |
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0:07:11 | uh and optimization problem of just formal case so this is your fit data |
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0:07:15 | and that this down R is simply the the minus log of uh are you all the point on that |
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0:07:20 | have just find |
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0:07:22 | so in the case of in can an arc of change |
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0:07:24 | you will get a function of |
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0:07:27 | of this uh of |
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0:07:29 | and and five is uh like pitch for the shape parameter |
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0:07:33 | that you use in the in the prior distribution |
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0:07:36 | so you get something which is very close to two |
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0:07:39 | the it tech Y to measure between uh H |
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0:07:44 | and its shifted the action uh from uh one frame a yeah i them |
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0:07:49 | plus |
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0:07:49 | a lock function here |
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0:07:51 | and this like function here is quite annoying |
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0:07:54 | because it is going to mean use uh and ill posed um |
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0:07:58 | minimization problem |
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0:08:01 | in the the uh because of that down a |
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0:08:04 | if you look at |
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0:08:05 | at uh you objective function or |
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0:08:07 | for a given W and page |
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0:08:09 | and if you risk a |
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0:08:11 | this um |
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0:08:13 | this is a a couple of W and H M |
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0:08:16 | okay by you deck gonna metric tell to |
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0:08:19 | we should with diagonal down to they'll take yeah then a |
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0:08:22 | you can choose a the scale here |
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0:08:24 | search sufficiently small so that you decrease a |
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0:08:28 | this objective function okay so this will push the solutions of |
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0:08:32 | to all |
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0:08:33 | a degenerate eight a degenerate the solution the |
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0:08:36 | uh like this one |
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0:08:38 | so a natural question is a can i just |
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0:08:41 | uh |
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0:08:42 | removal this down oh |
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0:08:44 | and the answer is yes of course you can and it's even something |
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0:08:48 | rather a reasonable to do |
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0:08:49 | because |
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0:08:50 | if you uh a re are of the expression of your or this a measure |
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0:08:55 | actually you can see that this |
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0:08:57 | uh a one of a i'll far uh |
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0:08:59 | times like um |
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0:09:01 | down or |
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0:09:02 | actually uh uh when and five becomes a sufficiently super or you a greater than than one |
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0:09:07 | it basic is going to can |
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0:09:10 | so basically |
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0:09:11 | uh is quite reasonable to replace |
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0:09:14 | yup open that you function by simply |
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0:09:16 | the uh uh a a it once i to update are in between that |
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0:09:20 | H H and its shifted uh the uh one frame of being |
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0:09:25 | okay that that gives you a natural sure of us skating valiant us nets the michelle |
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0:09:30 | and uh there's no need to control a the norm of the value you uh in this uh in this |
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0:09:34 | of to this and program |
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0:09:35 | so it's it's rubber convenient |
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0:09:38 | okay so |
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0:09:39 | mm in let's talk about the i agree with that is now well um |
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0:09:43 | i would skip the most of the details and you can uh brief of to do it to the paper |
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0:09:47 | for more information on |
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0:09:50 | so one approach them |
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0:09:52 | um |
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0:09:53 | to solve the all uh generalized the |
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0:09:55 | and then F problem of |
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0:09:56 | is to be the em algorithm none |
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0:09:58 | uh well you could use them |
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0:10:00 | this latent components that i introduced introduced number that a |
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0:10:03 | uh as complete data |
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0:10:05 | okay so this is we did the similar thing it um |
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0:10:08 | in previous uh in this work for a another of our uh another and that G |
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0:10:12 | function |
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0:10:13 | uh the problem is that this i great i'm is quite slow because the augmented data the missing data is |
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0:10:18 | very large uh |
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0:10:20 | as compared to the uh |
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0:10:22 | available data |
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0:10:23 | so it is to a a very uh slowly converging agreed on the |
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0:10:27 | and we here propose them |
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0:10:28 | and new approach uh based on uh majorization minimization |
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0:10:32 | uh which does not uh required to to men the data uh meaning to uh to use the the latent |
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0:10:38 | component C |
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0:10:39 | in the n-gram |
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0:10:42 | uh hmmm so it works uh um as um as described so this is |
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0:10:47 | our objective function okay and so we we produce an iterative algorithm one |
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0:10:52 | which updates dates that will you given age so that's |
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0:10:55 | uh |
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0:10:56 | stormed down and on the and then S we note to do that |
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0:11:00 | and then that we are going to update the columns of H M |
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0:11:04 | sequentially |
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0:11:05 | even a the current update uh uh the but you and uh given the and values of the neighbours |
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0:11:12 | uh of H and so frame and minus one one and and minus uh and and and plus one |
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0:11:17 | okay |
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0:11:18 | so this problem here uh |
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0:11:22 | boils down to this uh |
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0:11:24 | so problem |
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0:11:26 | okay |
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0:11:27 | uh where you uh you want to uh minimize this the function which depend on the on the vector H |
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0:11:33 | and for this uh uh we will use a um that and and a |
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0:11:37 | uh i agree about no |
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0:11:39 | which uh is just on the out the optimization a procedure one |
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0:11:44 | uh so it's an to achieve a posted you |
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0:11:47 | where uh given a |
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0:11:49 | uh i rent a data |
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0:11:51 | H T and there |
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0:11:52 | okay |
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0:11:53 | so in blue we have the the function that we want to to minimize that |
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0:11:57 | so locally in the in the cure and update that |
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0:12:00 | we simply construct a |
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0:12:01 | a server a gate the all sherry function which is easier to minimize and uh the the the original cost |
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0:12:07 | function |
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0:12:09 | okay |
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0:12:09 | and then we need nice this function instead of uh the blue one |
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0:12:13 | and then we get a new date and then we to rate and it leads to a descent i them |
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0:12:19 | which will |
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0:12:20 | uh converse to the to the mean and |
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0:12:22 | so the question is a of course how to be a little uh such an ox you are a function |
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0:12:28 | um and i'm not going to give the details a a here but basically the principal as are |
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0:12:33 | um |
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0:12:35 | so in your function you have a uh a the fit to data and the and it down for the |
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0:12:40 | fit uh to data you can actually uh match arise it done |
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0:12:44 | you can match rise is comics part using a uh a jensen inequality |
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0:12:48 | uh you can approximate much or right this can make part by a a first order taylor approximation and and |
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0:12:53 | as a matter of fact |
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0:12:54 | you don't need to much or nice to measure i sorry |
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0:12:57 | the been that sit down because uh uh you are you get um a tractable update without to |
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0:13:02 | necessary doing this |
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0:13:04 | and in the end of you get a very simple a date to a question okay so that's |
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0:13:09 | really really simple to implement a |
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0:13:12 | uh where the contribution of the the prior priors on the pin that it down on in the red and |
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0:13:16 | so that's if you set long to |
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0:13:18 | the to to zero you simply get the storm down the |
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0:13:22 | it tech i set to and an F uh of day |
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0:13:24 | okay |
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0:13:27 | okay so um |
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0:13:29 | now we can have a we can look at a few um |
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0:13:31 | of to result |
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0:13:33 | um so i basically applied this uh uh uh a penalized the |
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0:13:38 | so this move like the quite set to an an F i grieve them to some uh |
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0:13:42 | all the uh uh jazz to um |
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0:13:45 | music the music signal so the |
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0:13:48 | the the power spectrum i'm here it sounds like this |
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0:13:52 | where X |
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0:14:03 | it was |
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0:14:04 | a |
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0:14:06 | i |
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0:14:07 | a |
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0:14:10 | a |
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0:14:11 | a |
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0:14:13 | a |
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0:14:16 | a |
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0:14:17 | a |
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0:14:19 | a |
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0:14:20 | so and so on |
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0:14:22 | and that um |
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0:14:24 | so first term |
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0:14:26 | let's compare |
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0:14:27 | the |
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0:14:28 | uh a convergence in "'em" of uh object objective uh a function value one |
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0:14:34 | of uh this and then i agree about a |
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0:14:37 | uh of us use the em algorithm that we could have a um |
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0:14:41 | done so using that you could do using uh this uh |
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0:14:44 | this component as a a late and by about "'em" |
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0:14:47 | and you can you can see that the the improvement uh a of the and then allegory of i'm is |
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0:14:51 | quite a significant a |
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0:14:53 | so this is a a log scale a and this is a desired the iteration |
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0:14:56 | and it trends a pretty fast on it's close to uh a C P U to real-time time |
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0:15:01 | on the store now the still not compute |
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0:15:04 | and the uh so this is the effect of uh uh the regularization for a a values values are |
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0:15:11 | of of the the pin G uh weight them so the the parameter or um that |
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0:15:15 | uh |
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0:15:18 | and uh |
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0:15:21 | so this is the baseline and and pin lies the and then F ten than on the was one um |
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0:15:26 | they quantize ten and uh one and read them |
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0:15:30 | and fortunately i don't have a magic uh |
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0:15:33 | but a two uh what too much telly uh uh that i mean the |
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0:15:37 | the right uh the right uh that you uh you have to be a |
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0:15:40 | you have to |
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0:15:41 | it has to be user defined a |
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0:15:43 | a to could D in a in a us on the editing eating uh |
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0:15:46 | uh sitting at this on is you know we'd have to uh tune this parameter according to do the design |
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0:15:51 | does |
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0:15:54 | a case i don't know uh do i have uh |
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0:15:57 | quite something in it so that's |
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0:15:59 | okay so i uh to to finish i um |
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0:16:02 | i wanted to uh uh show you |
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0:16:05 | um the structure of the time-frequency mask |
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0:16:08 | that are around by the decomposition K because i think it's a |
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0:16:12 | it's quite interesting to |
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0:16:14 | to see here these uh the structure a and to see that actually |
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0:16:18 | with a limited number of components |
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0:16:19 | so take once ten |
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0:16:21 | for that uh two minute uh |
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0:16:24 | a a piece of um |
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0:16:25 | of of music |
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0:16:27 | you can learn some interesting things |
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0:16:28 | okay |
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0:16:29 | so the time-frequency mask remember all the other wiener filter or else that you know games that you apply yeah |
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0:16:34 | uh uh to the observation to reconstruct a uh each of the the component |
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0:16:40 | so this is the first uh |
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0:16:42 | the first uh |
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0:16:43 | time-frequency frequency a mass school |
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0:16:45 | the values the zero is a |
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0:16:48 | um |
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0:16:49 | white and uh one is a back |
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0:16:52 | and the uh you get different uh a structure so here you you get the rather wide the |
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0:16:58 | uh |
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0:16:59 | wideband the E major |
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0:17:01 | and you get a so uh |
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0:17:04 | more pitch structure so for example we can use sent to one of this |
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0:17:08 | uh structure |
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0:17:10 | to one of these components typically |
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0:17:12 | uh |
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0:17:13 | this is going to uh capture it's of uh notes |
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0:17:16 | it sounds like this |
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0:17:32 | i |
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0:17:34 | and we now know that uh |
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0:17:35 | this is not actually the |
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0:17:37 | the time no |
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0:17:39 | uh the component |
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0:17:40 | it simply the mask |
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0:17:42 | okay that you applied to the observation so |
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0:17:44 | it means that even if you have some uh uh |
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0:17:48 | uh values uh a yeah to one at some place if there is nothing in at this |
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0:17:52 | a time-frequency point in the data |
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0:17:55 | uh |
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0:17:56 | you you get a uh |
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0:17:57 | uh S T a estimated the um |
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0:18:00 | has spectrum which is a which is a which is zero okay |
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0:18:03 | uh and for example we can know this is another type of uh a time-frequency structure which is a a |
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0:18:08 | white band are |
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0:18:09 | and uh this captures a uh |
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0:18:12 | the at tax of the of the buttons |
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0:18:14 | i |
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0:18:15 | a |
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0:18:17 | a |
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0:18:20 | a |
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0:18:21 | a |
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0:18:21 | a |
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0:18:23 | i |
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0:18:25 | i |
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0:18:26 | okay and so on a |
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0:18:28 | so have ten components like to like this um |
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0:18:33 | uh this one uh G to a clearly uh shows the the bass okay so it's just a low bass |
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0:18:39 | uh for uh component and this one a shows that this noise which is present on the on the recording |
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0:18:44 | so it's so |
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0:18:46 | it's uh |
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0:18:47 | hi pass we can see we can listen to it |
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0:18:53 | a basic is just noise |
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0:18:56 | so |
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0:18:57 | you do don't some things them uh even and uh we've a limited number of of components are |
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0:19:02 | and you can do uh |
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0:19:05 | nice uh sound the um |
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0:19:07 | well this this type of decomposition can have some a nice uh |
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0:19:12 | uh oh joy reading a tradition for example am |
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0:19:15 | you can uh uh use a so basically you have decompose your original "'em" the recording yeah |
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0:19:21 | into a number of uh of components so this involves some manual grouping to actually a reconstructed this uh uh |
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0:19:27 | the sources from from from the component |
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0:19:30 | and speaker lean you can so remove the noise and do a denoising and there so |
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0:19:35 | uh |
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0:19:36 | remastered these different components are a a a on two channels to produce a as to re recording from them |
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0:19:41 | on the recording |
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0:19:42 | very similar to |
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0:19:43 | uh the show and tell in more of what you know me just to the animal if you if you |
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0:19:47 | which use so the the the demos it's is the same uh |
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0:19:50 | same kind of it is |
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0:19:51 | so typically am |
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0:19:53 | uh |
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0:19:53 | from this original no |
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0:19:55 | you can create uh |
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0:19:57 | and that mixed and you noise that |
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0:20:00 | rations so will play that for you so for as the original mono |
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0:20:06 | a |
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0:20:08 | a |
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0:20:09 | a |
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0:20:10 | a |
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0:20:11 | and and uh |
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0:20:12 | because |
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0:20:13 | notion |
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0:20:13 | a |
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0:20:14 | a |
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0:20:15 | a |
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0:20:16 | and |
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0:20:16 | a |
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0:20:17 | a |
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0:20:19 | a |
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0:20:20 | a |
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0:20:21 | a |
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0:20:22 | a |
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0:20:24 | i |
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0:20:25 | and if you want you can can and for example for the |
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0:20:28 | for the brass uh components so |
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0:20:30 | the trumpets carry net |
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0:20:40 | so the interesting thing is that even if you have some artifacts on some of the estimated sources a uh |
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0:20:45 | because you uh replay play the sources to give or |
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0:20:48 | uh you actually uh uh don't to uh |
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0:20:51 | this sent to the artifacts and you |
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0:20:52 | it's you can run there are some the special uh a special pressure |
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0:20:57 | and uh that concludes and my uh my talk |
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0:21:31 | yes |
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0:21:33 | yes |
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0:21:34 | i i don't know |
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0:21:35 | i mean um |
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0:21:36 | you can you can be a L and and i agree an for the estimation of the and H |
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0:21:42 | okay |
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0:21:43 | uh |
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0:21:44 | using a |
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0:21:45 | this latent and components |
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0:21:46 | as the complete data |
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0:21:49 | okay |
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0:21:49 | but is not shown here |
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0:21:51 | okay but you can do it quite easily |
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0:21:54 | offline line sure |
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0:22:09 | uh_huh |
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0:22:18 | what what a take K uh let less some more components |
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0:22:23 | uh that's a good the question |
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0:22:26 | um hmmm |
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0:22:30 | ten components seem to be the the the proper or a number of components to use |
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0:22:35 | because uh |
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0:22:37 | adding more components |
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0:22:39 | uh only uh |
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0:22:41 | uh |
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0:22:42 | tended it to uh reach find a decomposition of the noise |
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0:22:46 | okay |
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0:22:47 | so it it seemed like uh |
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0:22:50 | uh after ten components um |
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0:22:52 | you didn't a obtain a more interesting uh almost right it's all season |
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0:22:58 | now to be honest i don't remember a a what does a uh when you take less than uh |
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0:23:03 | then ten compare |
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0:23:06 | i i don't remember |
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0:23:12 | click you're |
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