0:00:16 | my name you hear |
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0:00:18 | it's joint work we can make the quality and driving is well that's are |
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0:00:24 | i australia this that's george running manner |
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0:00:27 | you can see where very active group and we are linguists |
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0:00:31 | from a university pairs of it |
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0:00:35 | and we're going to talk about |
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0:00:37 | when do we love |
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0:00:43 | in previous work has been found that laughter is very frequency compensation |
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0:00:48 | it happens they are different speakers but |
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0:00:52 | frequency between |
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0:00:53 | six fifty times per ten minutes |
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0:00:55 | so |
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0:00:57 | and |
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0:00:58 | laughter can takes |
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0:00:59 | very useful in terms of its |
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0:01:02 | four eight six |
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0:01:03 | and occur in a variety of context |
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0:01:06 | but if i are you |
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0:01:09 | when do we have |
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0:01:10 | i think we maybe not your body find someone the street |
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0:01:14 | it probably like |
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0:01:15 | say |
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0:01:16 | that's we live when someone tell us the joke or we'll off when we have |
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0:01:20 | been tackled but actually those two occurrences are not the most frequent context for laughter |
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0:01:27 | and i'll show you a few examples i don't so we know that laughter is |
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0:01:31 | contagious meaning that we more likely to laugh in social settings we more likely to |
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0:01:36 | love |
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0:01:37 | what we're in the presence of others |
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0:01:39 | so just to show you |
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0:01:41 | a different type of context that laughter can |
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0:01:44 | can't occur i have got from |
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0:01:49 | i |
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0:01:50 | so i've got this one i'll just show your view |
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0:01:54 | okay |
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0:01:58 | the numbers your |
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0:02:01 | is used for all their |
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0:02:06 | model for portable my school seems to |
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0:02:13 | or |
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0:02:17 | also |
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0:02:21 | okay |
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0:02:27 | okay |
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0:02:31 | i |
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0:02:36 | i |
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0:02:42 | i |
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0:02:46 | we think that i i'm glad you guys a lot and so here is a |
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0:02:51 | common may need for example after you know goes failure i mean does not to |
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0:02:56 | get if at a guys is a failure videos are you to that people like |
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0:02:59 | to watch a lot of about it |
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0:03:01 | and but even he's laughing about it |
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0:03:04 | but if he broke is provided |
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0:03:06 | i probably okay he wouldn't and his friends probably would not either |
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0:03:10 | that's not that only happened in happy moments okay |
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0:03:15 | so i'll show you ever very unlikely context for laughter |
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0:03:19 | and show all of you know about the terrorist attack in paris |
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0:03:24 | when so this bands that you go that's |
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0:03:28 | you don't of death metal |
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0:03:30 | and four groups they were drafting the in the battle close the a fiesta with |
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0:03:36 | a lot of people |
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0:03:38 | and you knew about the terrible story so this is the video |
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0:03:42 | of an interview |
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0:03:43 | of the people from the band |
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0:03:45 | you know this something under raising the are talking about the most horrible experiencing their |
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0:03:50 | lives that you wouldn't think they would laugh right but actually a little bit of |
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0:03:54 | a little bit |
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0:03:56 | the describing what happen |
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0:04:02 | or you know you have just so as to the gunfire |
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0:04:06 | actually instinctively from my perspective it seems you see |
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0:04:12 | we see that |
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0:04:13 | and it will have a |
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0:04:20 | okay that more usable or knowing that |
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0:04:25 | where |
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0:04:27 | but i don't use also his friends patted him on the on the shoulder and |
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0:04:32 | he laughed as a little off a little one |
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0:04:36 | and here's a another |
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0:04:38 | there you know everyone's really more than once we don't |
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0:04:42 | our knowledge this reason for you know you have just so this case the gun |
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0:04:48 | actually instinctively from my perspective sushi sue |
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0:04:54 | so that little or no |
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0:04:56 | and here when he's talking about again they were hiding the one of the rooms |
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0:05:01 | of the back |
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0:05:03 | is reduced since we don't very few people would be shot |
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0:05:08 | we people's which were ranchers the door |
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0:05:13 | years ago maybe for each |
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0:05:15 | as someone have led to |
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0:05:18 | is a little elf is a overlapping with speech |
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0:05:22 | it was trying to say someone has left able or something |
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0:05:26 | the bottles you mean room |
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0:05:30 | so |
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0:05:31 | these examples of course they feel laughter is very different from the from the from |
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0:05:36 | the first example |
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0:05:37 | so |
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0:05:38 | it can really locally in the very different context |
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0:05:41 | and although it's that laughter most likely occur in the presence of others |
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0:05:46 | will be interaction you can also happen we just by ourselves |
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0:05:51 | so here is in another example when |
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0:05:53 | the grandmother is laughing all by myself |
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0:05:56 | they see section the sky on the one and thanks to the i |
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0:06:17 | that a lot about their going on there |
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0:06:21 | so i showed you that laughter can really take very different forms as you can |
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0:06:25 | see the plastic one you goals of that metal example is very different from the |
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0:06:29 | other two |
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0:06:30 | and that's and i can occur in very different contexts |
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0:06:35 | and also i was trying to say that laughter is contagious |
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0:06:39 | so here's a very interesting example talking about laughter and dialogue |
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0:06:43 | so this is a core are also |
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0:06:46 | the question was |
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0:06:47 | what's your best random conversation with a stranger |
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0:06:50 | and this example is a also size |
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0:06:54 | it wasn't a traditional confirmation process anybody when likeness |
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0:06:57 | i mean having to mt anyway to start laughing to myself it funny takes no |
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0:07:01 | phone i will then maybe standing opposite me smiles at me |
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0:07:05 | me grin still giggling slightly men grumpy face |
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0:07:09 | and then me come stop eating |
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0:07:11 | is beginning to wonder woman catches my right laughing |
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0:07:15 | slightly i mean me for problems for the laughing gasping for breath now |
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0:07:19 | women burst out laughing at me magical is that women laughing |
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0:07:22 | add to me and when the elevator continues to the bottom or in absolutely as |
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0:07:27 | running down phase hysterics as we exit the elevator |
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0:07:31 | so here's the conversation of or interaction of just laughter |
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0:07:35 | okay so let's do some scientific research about their the current state of research and |
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0:07:42 | after is that most studies this working psychology working social still social linguistics in conversation |
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0:07:51 | analysis |
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0:07:52 | then we have looked at its laughter |
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0:07:55 | a lot about |
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0:07:57 | on it is also be used laughter |
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0:08:00 | independent context |
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0:08:02 | as stimuli |
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0:08:03 | and all they study laughter as a response to humorous |
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0:08:07 | stimuli |
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0:08:08 | but there are very few there are some but not very many studies about laughter |
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0:08:12 | in conversations |
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0:08:14 | if two we had dialogue you want to study laughter in dialogue what can we |
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0:08:19 | study |
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0:08:20 | if we think about this we can study we can approach it from |
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0:08:24 | of three direction |
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0:08:25 | we can study the precondition of laughter |
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0:08:28 | many we can think about |
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0:08:30 | what triggers laughter |
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0:08:31 | we can we can look at the context of laughter |
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0:08:35 | so what is graphical kernel and in what in what kind of order |
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0:08:40 | we kind of what study laughter features of laughter |
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0:08:43 | of the of it so we can study the |
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0:08:46 | the for meaning the phonetic the phonology of laughter we can study all |
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0:08:51 | for propose a semantic meaning of laughter |
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0:08:55 | and we can of course look at laughter |
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0:08:58 | each of laughter in you know |
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0:08:59 | why the that features that are universal |
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0:09:01 | or whether the other language and cultural specific |
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0:09:05 | i is we can study the post condition of laughter meaning |
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0:09:08 | the effects of laughter on dialogue no interaction |
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0:09:12 | so we can study |
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0:09:13 | what can expect a lot of the have some discourse in terms of |
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0:09:16 | for the interaction |
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0:09:18 | we can study the effect on the speaker the addressee and you're interaction in terms |
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0:09:22 | of affiliate even those right |
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0:09:25 | and let's look at two issues |
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0:09:27 | one in the preconditioner whining the post condition |
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0:09:31 | so |
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0:09:32 | in precondition we have this question |
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0:09:34 | which is |
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0:09:35 | what does not have to happen |
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0:09:37 | and there is a very commonly assumed to while slide widely cited |
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0:09:42 | idea is that laughter |
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0:09:44 | one laughter is about is what it follows |
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0:09:47 | so the idea is that's we say something |
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0:09:50 | and we laugh about its task or data it "'cause" |
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0:09:54 | i if is really right so studies as far as we know try to resolve |
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0:09:58 | what laughters about by looking at one laughters adjacent to |
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0:10:02 | and |
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0:10:04 | and |
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0:10:04 | and there's a lot of conclusions based on this assumption |
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0:10:08 | that's most laughter is about something been i'll |
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0:10:11 | this is a very widely cited idea from providing |
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0:10:15 | because they look is what laughter formal |
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0:10:18 | and that's will have more is what we see ourselves |
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0:10:22 | so this is one issue is it true that one laughter is about is what |
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0:10:25 | it follows |
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0:10:26 | this is an issue with a question about the post condition |
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0:10:30 | so that we would like to know what kind of you fact |
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0:10:33 | laughter has on dialogue no interaction so can we have a meaningful |
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0:10:39 | functional taxonomy of laughter and currently doubt thousands of them systems |
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0:10:43 | in the market and there there's little agreement |
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0:10:47 | so we would like to ask what functions do not at all of them have |
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0:10:51 | there have and how well |
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0:10:53 | laughter can have so many different functions |
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0:10:56 | let's look at the first issue in terms of current state so |
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0:10:59 | is it true that's what laughter follows is what is about |
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0:11:03 | and if in a study by from one i twenty three they observed natural conversations |
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0:11:08 | and their methods was like this |
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0:11:10 | when an and when an observed or heard laughter should recorded in a notebook the |
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0:11:14 | moment immediately preceding the laughter the sorry the comments immediately preceding laughter |
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0:11:19 | and if the speaker or the audience laughed |
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0:11:23 | and they know that only ten twenty percent of the previous comments was humorous |
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0:11:29 | and that's they concluded that laughter is for the most part not related to humour |
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0:11:33 | but is about social interaction |
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0:11:36 | i did this conclusion from this study was that nothing never interrupts the each but |
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0:11:40 | punctuated |
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0:11:42 | and |
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0:11:45 | also there's a study by a patent or two thousand four |
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0:11:49 | we also or milking et note that only timing |
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0:11:53 | parameters to decide what laughter is about |
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0:11:57 | so i think of missing one slide |
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0:11:59 | so but |
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0:12:00 | these studies assume an adjacency relationship between laughter and laughable so what the laughter is |
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0:12:06 | referring to |
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0:12:08 | and |
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0:12:09 | we would like to question this assumption because this assumption hasn't been studied |
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0:12:14 | and |
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0:12:15 | then what the preceding comments |
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0:12:17 | he's the reference |
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0:12:19 | and it is not amusing itself image in which to refer to when using event |
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0:12:25 | so and if we mention is dialogue a says |
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0:12:28 | to remember that time and then both in time we're laughing |
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0:12:33 | that the batteries do you remember that time is not humorous in itself |
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0:12:37 | but do not able to all the reference it will be for this interaction is |
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0:12:41 | has been reached |
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0:12:43 | to |
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0:12:44 | reference you are in hd notation of that event |
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0:12:47 | every that right |
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0:12:50 | that the water okay so second issue |
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0:12:54 | how many times sub-block how many types of laughter other if we want to have |
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0:12:58 | a good taxonomy functional taxonomy of laughter |
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0:13:01 | i'm currently there are |
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0:13:02 | so many |
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0:13:04 | so for example |
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0:13:05 | this a suggestion that's we can distinguish |
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0:13:10 | we can have a binary distinction between physical |
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0:13:13 | and the emotional after |
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0:13:14 | and the pirate was ninety nine three proposed at least eight |
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0:13:19 | different social functions including affiliation |
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0:13:22 | aggressions torture anxiety fear joy |
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0:13:25 | source of all |
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0:13:27 | as you need i don't want nineteen ninety four proposed three types of laughter |
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0:13:31 | laughter due to pleasant feeling social after laughter for each intention |
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0:13:37 | higher a lot of the two thousand three oppose not different three types of laughter |
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0:13:41 | approach when you release intention or is the called euler |
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0:13:45 | and control i don't when two thousand five proposed |
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0:13:48 | what i |
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0:13:50 | hearty laughter muse laughter |
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0:13:52 | that's recall after and social actors so on so forth |
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0:13:55 | and so as you can see they really this very little overlap |
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0:14:00 | and we believe that one we have the lack of agreements in terms of functional |
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0:14:03 | taxonomy of laughter |
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0:14:05 | is that there are several layers relates relevant to the analysis of laughter |
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0:14:09 | and different classification system and even types within the system all related different layers of |
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0:14:15 | analysis so just as an example |
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0:14:18 | in spite of ninety three taxonomy |
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0:14:21 | affiliation |
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0:14:23 | meaning to agree is roughly be |
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0:14:25 | location to react performed by laughter |
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0:14:27 | well actually is the feature of the emotional trigger severe really relating to different levels |
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0:14:33 | so we need to have a linguistic approach |
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0:14:36 | to study that are so here's our proposal we propose to look at laughter linguistically |
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0:14:42 | at any events map and a full |
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0:14:45 | and so there's a again common assumption that laughter has only emotional content and no |
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0:14:51 | propositional content |
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0:14:53 | for example and two thousand thirteen |
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0:14:56 | and we argue that laughter needs to be integrated with linguistic input |
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0:15:01 | and for the following reasons first of all |
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0:15:03 | second be was the aspects other than the communicative emotion |
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0:15:08 | so |
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0:15:10 | very often |
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0:15:11 | we ask about clarification questions in terms of what is funny |
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0:15:15 | so when you have |
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0:15:17 | we |
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0:15:18 | understands the emotion that you're communicating what we don't understand |
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0:15:22 | is the reference |
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0:15:24 | that's this laughter is referring to |
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0:15:27 | i'm not |
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0:15:28 | right okay |
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0:15:31 | really |
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0:15:31 | okay |
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0:15:33 | and i spent so much time on the video |
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0:15:37 | okay |
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0:15:37 | so |
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0:15:38 | we so we propose a multi layered approach to study laughter where we distinguish for |
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0:15:44 | meeting and function |
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0:15:46 | so in terms of |
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0:15:49 | we know cats |
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0:15:51 | mostly now in our study |
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0:15:54 | contextual features |
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0:15:55 | an instance of meeting |
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0:15:57 | we look is we are proposing |
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0:16:00 | one semantic meaning a unified semantic meaning with two dimensions |
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0:16:04 | an instance of function |
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0:16:06 | we look at things like feature and prosecution reacts |
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0:16:10 | the semantic meaning we propose that too much |
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0:16:14 | but not |
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0:16:15 | one is the laughable and the are the other is the arousal |
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0:16:21 | okay |
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0:16:21 | so |
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0:16:23 | i'll |
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0:16:24 | to quickly about the so here's a problem proposal in terms of the semantics of |
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0:16:28 | laughter |
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0:16:29 | and we say that the meaning of laughter is guys the appraisal the laughable |
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0:16:34 | l |
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0:16:35 | triggered by triggered a positive psychological shift with the times and that you |
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0:16:40 | of delta |
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0:16:41 | and meaning of laughter is |
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0:16:43 | how do you context dependent |
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0:16:45 | and this meeting well aligned with context reasoning can generate a wide range of functions |
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0:16:52 | go quickly about the arousal dimension with a that's not after a trick as a |
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0:16:57 | possible positives like logical shift |
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0:17:00 | and that's |
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0:17:02 | the arousal dimension signals the amplitude of this shift |
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0:17:06 | this is a continuous dimension |
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0:17:08 | and that it doesn't signal be overall emotional states |
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0:17:12 | so if someone laughing doesn't mean that overall this person has a positive emotional states |
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0:17:17 | but |
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0:17:18 | that's there is the positive shift |
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0:17:20 | and in terms of what we propose at the moment three a degrees |
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0:17:26 | it can run you can be triggered by the laughable can be of type |
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0:17:31 | a playful enjoyment like the prime are running the a rollercoaster |
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0:17:35 | can be about in contrast |
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0:17:38 | for example |
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0:17:39 | when the band member found able to champagne |
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0:17:43 | i about in groupness |
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0:17:46 | okay so |
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0:17:47 | i'm really ready on time |
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0:17:49 | i was a so we studied |
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0:17:52 | i nine in natural dialogue |
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0:17:55 | this is |
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0:17:56 | from our own corpus |
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0:17:58 | our jump to |
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0:18:00 | so we call it is |
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0:18:01 | several levels things oneself |
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0:18:04 | at the four level we had look at |
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0:18:06 | whether laughter overlapped with speech there's temporal sequence where the laughter following of the laughter |
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0:18:11 | we had no cats in some solo laughter not available |
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0:18:14 | what incurs before during all have the laughable |
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0:18:17 | in terms of semantic meaning we have quotas |
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0:18:20 | the perceived arousal and the type of laughable |
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0:18:26 | so in some way that we think there's in congress you or not |
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0:18:29 | and in functions we are we have a roughly binary distinction between cooperative function |
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0:18:36 | and non-cooperative function but i'll show you |
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0:18:38 | a more detailed functions later |
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0:18:42 | our job all of course i'm sorry about that's |
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0:18:45 | so all we i don't i six hundred and around six hundred sixty laughter events |
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0:18:50 | we found that it's very frequent the average |
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0:18:54 | duration it's about |
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0:18:57 | under two seconds |
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0:19:00 | and we found that since a novel the most frequent have above is described events |
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0:19:06 | followed by extra for a conventional something happening the physical context rather than the linguistic |
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0:19:11 | context |
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0:19:12 | followed by metalinguistic divan sounds for example if i is if a mispronounced a word |
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0:19:19 | and we found that |
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0:19:21 | there are more self produced laughable then part to produce laughable meaning is true that |
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0:19:27 | will have more often about what we set ourselves |
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0:19:30 | i still |
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0:19:31 | that's laughter immediately for the laughable if the true that what laughter follows is what |
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0:19:36 | laughters about well we actually found that there is the rubber free alignments between the |
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0:19:41 | laughable i'm the laughter |
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0:19:42 | so here is the other graph |
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0:19:44 | channel plotting the distance between the end of the laughable and the beginning of the |
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0:19:49 | laughter |
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0:19:49 | and it's you can say they in the time peaks at zero |
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0:19:53 | that's the average number actually below zero and there's the wide range |
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0:19:57 | so laughter can really ago called long before the laughable |
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0:20:01 | during the lovable and i and after all |
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0:20:05 | we find that only thirty percent of laughter |
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0:20:09 | happens immediately after the laughable |
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0:20:12 | whereas but the majority of laughter the most frequently laughter happens during the laughable |
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0:20:20 | okay in terms of context of form-related his we find that |
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0:20:25 | dyadic laughter is very frequent meaning that was that one is very frequently your partner |
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0:20:30 | withdrawing laughter |
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0:20:32 | forty percent of laughter encoding immediately after we had the same time as partners laughter |
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0:20:37 | and have to very frequently overlap with speech around forty to fifty percent of laughter |
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0:20:42 | occur at the same time as speech |
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0:20:44 | mean i we want to have an actual dialog system we need to be able |
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0:20:48 | to generate speech |
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0:20:49 | that's has like overnight laughter |
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0:20:54 | i we found that laughter fast interrupt utterance of was very frequently we laugh with |
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0:20:59 | someone else is speaking in the middle sentences |
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0:21:01 | but sometimes we put a bit of laughter |
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0:21:05 | we now on utterance |
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0:21:08 | okay in terms of mean e |
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0:21:10 | we found the majority of laughter actually have low arousal so they have low intensity |
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0:21:15 | initial duration and arousal correlates with duration |
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0:21:19 | and that the majority of the laughable each other to communicate recognition of incongruity |
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0:21:26 | there's something concordance so for example nothing have to saying someone has found a bottle |
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0:21:32 | of champagne that's signals that's finding a bottle of champagne this context is incompetent |
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0:21:41 | so this is domain specific because these functions |
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0:21:45 | are the most frequent function in our corpus because our proposed is natural |
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0:21:49 | cooperative dialogue and we re well it's definitely not the case that this is of |
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0:21:55 | full |
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0:21:56 | functional taxonomy full or laughter in all kinds of dialogue but you know you know |
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0:22:01 | that you know what was |
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0:22:03 | the most frequent function for laughter is to show enjoyment |
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0:22:06 | followed by |
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0:22:07 | and there's a function called smoothing and soft ending so this is a well as |
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0:22:12 | social function of laughter and |
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0:22:15 | and there is show agreement |
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0:22:17 | to mark funding this |
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0:22:18 | to mark that will you about the same normally is funny and something called been |
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0:22:23 | have anything to action so this function this a traumatised being |
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0:22:28 | hence being it's being used in that you're already |
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0:22:31 | and |
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0:22:32 | i mean is |
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0:22:33 | so a very common example been everything the action is rising something like could you |
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0:22:38 | give me a couple of a coffee |
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0:22:40 | data |
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0:22:41 | that laughter i used to trigger happy not its meaning that i want you to |
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0:22:46 | be close to me something like that okay |
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0:22:49 | so |
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0:22:50 | very quickly one minute |
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0:22:51 | and |
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0:22:52 | so we want to |
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0:22:54 | we want to see |
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0:22:56 | if we can use context one form related |
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0:23:01 | features to predict all kinds characterize function |
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0:23:04 | basically there is no single form |
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0:23:07 | a related features that can characterize |
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0:23:10 | and distinguishable kinda function |
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0:23:12 | but we |
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0:23:14 | and that specifically one thing is that french and training have very similar distributions and |
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0:23:20 | it's very similar |
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0:23:22 | signature in terms of these form-related yes |
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0:23:24 | and that's |
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0:23:25 | well as different as well |
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0:23:27 | to show enjoyment is one of those frequent after that has normally |
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0:23:32 | a wide range of duration but tend to be known duration |
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0:23:36 | i been addressing the action and smoothing is often means that meaning that politeness related |
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0:23:41 | laughter |
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0:23:42 | time and |
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0:23:44 | with low is |
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0:23:46 | this is slightly less duration |
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0:23:49 | and that happen it's was the end of the laughable |
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0:23:54 | okay i think a rerun of running around trying to the detailed a please refer |
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0:23:58 | to our favourite so i don't we can conclude |
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0:24:00 | that's the we propose a semantic pragmatic accounts and thing which laughter is treated as |
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0:24:05 | the gestural events and of all and that's in terms of data we found that |
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0:24:10 | laughter |
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0:24:11 | frequent speech floppies frequent |
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0:24:14 | dyadic laughters the joint laughter is frequent we found that the distribution of laughter not |
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0:24:18 | always rather free and only about thirty percent of laughter happening immediately after laughable |
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0:24:24 | i is the majority of laughter is about incongruent stimuli |
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0:24:28 | with low arousal |
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0:24:30 | and that's a we found in a group was for frequent functions characterized by a |
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0:24:34 | class of layers |
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0:24:36 | curve form-related layers rather than a single layer |
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0:24:40 | and guidepal frequency most patterns are very similar between in french and english french in |
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0:24:45 | chinese |
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0:24:46 | suggesting that have to behavior might be largely language and culture independent |
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0:24:51 | a topics or stop here |
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0:24:54 | okay |
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0:25:23 | that's it happens already |
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0:25:25 | most likely so i think two possibilities one is to do with incremental processing and |
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0:25:30 | predictive processing right |
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0:25:32 | so very of the we can predict what's |
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0:25:35 | the end of the sensors |
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0:25:36 | so very of the we know what exactly someone else to say |
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0:25:39 | is about to say that's why i could be why we could laugh solely before |
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0:25:43 | well the reference it of laughter is even finished |
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0:25:46 | and the other one yes i think most definitely their ability gesture cues and also |
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0:25:52 | on the visual expression account find that could indicates |
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0:25:57 | that i'm about level you should love |
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0:25:59 | we did capture body movement of fisher expression data using connect but we have analyzed |
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0:26:04 | that yet |
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0:26:05 | but as a good suggestion |
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0:26:14 | and it wasn't the cases when laughing laughter happened right quite already is because you |
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0:26:20 | can we can predict what about k |
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0:26:22 | roughly all that someone has said mid sentence and we basically no the rest and |
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0:26:27 | we start laughing |
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0:26:28 | and that's you know like language every other aspects of language processing that is incremental |
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0:26:32 | predictive |
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0:26:39 | okay |
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0:26:41 | no one is to study laughter acquisitions of the we found that and these the |
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0:26:46 | optimal a three year old |
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0:26:48 | the laughter pattern of a child is nowhere near |
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0:26:51 | i don't so |
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0:26:53 | and so we were thinking one thing is to link laughter behaviour is the only |
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0:26:58 | indication of autistic |
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0:27:00 | spectrum because |
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0:27:00 | laughter although it seems to develop it develops lonely it is one of the only |
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0:27:05 | is things but they used to it around three months |
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0:27:09 | and we like to integrate a emotions we information state you know semantics would like |
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0:27:14 | to study what the smile after differ only in scale or do they have different |
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0:27:18 | functions and of course in laughter generation |
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0:27:44 | it's true and also a lot of time people jointly complete the laughable so when |
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0:27:49 | like someone is that how sent to the other one jumping in to complete this |
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0:27:53 | and this will them while laughing |
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0:27:57 | if you're image |
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