hi

my name's make sure alarm professor of english language and literature lancaster

i'm interested in

how when people read texts particularly nature of text

how they manage to get a problem the words on the page to the mean

age

and also

how text okay

i'm going to try and

sure you extracting

also helps people not addressed to understand expect that but also to appreciate and joy

are shown to you by analysing the variational probably why don't you ain't cool

you we use four plots

i mean tell you just a little bit about how empirical we look at it

it's a time-invariant right and appears to be

a addressing the woman now santa clara mutual for

you declared if you have that what's however

you would give them to

but in fact it doesn't have them use pool

and so incredibly fast low

so the value of slot appears to go up comparison

it's if you like to be like the parables the we might

well

if we look at the cutting mostly that a one otherwise in which the hidden

the important parts

become important is that i

take out the description takes out how of the power

the amount of the probably in the past a way

in being equal

is very small white house

and i'm going to concentrate on a couple of the lines where

the probably the also scroll it

but that's first of all

read the problem through

so that you can understand better what i'm doing

you'll see that the two times that i've decided to concentrate on a bold in

the display so easy to spot

how do i have an embroidered clock

and rule with gold and silver light

the blue and the team on the dot crawl

night and light on the offline

i would rate the clock on the three

but i

being equal

have a reminder e

i sprayed my three on

right so

the college utrecht

and we concentrate on a part of the home which describes the cross you can

see that apart from satellite in the first line

the first four hundred just descriptions of the cross

the pointing to noun phrases which describes across the first one is the haven't embroidered

for and what we go one and two right

and

there are two big metaphors in that line which make all those lines which make

clause difficult to understand and i think what they starting the problem is to make

the low pay intangible and mystical in some way

this is because first of all

that happens clocks we don't normally associate plots with paper we associate with we will

and then secondly if we look at the relative to have a small defined worked

well

we can see that it says animal with goal going to light and then we'll

this kind of thing that semantic we normally applies to metallic thing is not possible

then if we go on to the next two lines which we wonder what concentrate

on my mother who you get another noun phrase the blue and the t and

the dark rules

a light and light

if we do this line in more detail we can see that the head nodding

head noun close to the end of the first line has already modifiers which are

coordinated together

you unusually so

the blue and the d dot

and then after the whole across you get three how small because which are also

coordinated to get a

all right and light and the whole flight

and then we expect them to relate to one another in terms of sequence

so you'd expect the three modifiers coming off to i two matching sequences three modifiers

coming before that i

but actually what unites does used to choose the only possible combination mathematical whereby each

impossible to line them up

i shown this notice by the different colours like blue should go light

no i should go dark and d to go off glide

you know what he's making it difficult for you to understand difficult to process and

he's doing that for reasons

the reason is that it makes a quasi mystical related to have an

and therefore much value

so that when we get to

the young man himself and him spreading dreams on the only sweet

those streams have become more important