most of the i interior design
teams that work with a heavily reliant use of expert
okay years of experience means that happens with somebody projects and so many fines
but my part of the research is that to quantify those preferences
so architects and designers that they look at the back of the catalog are some
indices
you know i absorption or absorption reflectance lower that's
but it was a single number in the and that's not enough to
make the final position
so now you're looking at this in a more great
in communion not just cumbersome this is easy not experiencing
which i
virtual reality but capable design
i am able to move into radio space design the spaces and with them in
a computer
so this is not for real
or permanent are spacing you can happen very you can change the sign opened it
this is it in a scene from be assisted living
variability in here you're trying to u g
architectural elements for the elderly to find a way to their homes or to their
apartments are living quarters
so you can actually see the manipulation of the color as well in terms of
the average
as you get older you're i transmission goes lower
and your sensitivity consider portion of the spectrum changes
so i wanted to see that if we change this car it's and all the
walls or ceilings
some other types
by enhance the lighting conditions
okay is going to allow me to not only way to the acoustics as you
can see
or from these sensors can be used i
spectral for a
i think twice and then this is down moves on the ground so these set
of regions how to me as the subject of words in section would be fighting
conditions and then these two years are not just for pulse many these are actually
designed to
maybe
the standard you geometry
and then this is designed to manage the distance of the ear canal and then
the microphones set up in such to receive the sound so as the head rotates
is actually be filtering series of frequencies that are being
reflected or absorb or directed interview the face is looking at the blue portion of
the wall right
that sense to so now the blues the set union degree of that
and as i
change orientation o or
i just go around the space as you can see
those quantities they change
now to your i in terms of the spectrum is very significant these days that
studies that shows look portion of the spectrum actually manipulates you're all pupil size
and therefore that month of like that reaches your right now
it is impacted by
so now we can actually major the lighting conditions under different scenarios high
proportion of the spectrum especially these days now with the l e d coming into
the market
they have a lot of high colour temperature and this allows me not to evaluate
all types of scenarios for speech acoustically speaking now all
we have been able to create virtual speakers and what i mean by that is
we have real speakers in but with the ability
programming with the l o allows us to
would of extra speakers in different locations
so those extra speaker's own contribution to quantify equality if these are a distance
the interactions among those very so for example maybe somebody like to call somebody stick
to someone left to right
you can explore those conditions and find a boundary
purpose of these measurements are to calibrate
the output values that we're getting from the k
relative to the input values continue
we would like to be able to realistic simulations
in order to do that we need to know for example are used primarily red
green and blue colors are we getting primary what frequencies of like are we getting
from the projectors
how the acoustics respond to different frequencies of sound different ages
and so about has been doing a lot of these measurements in here to help
us to calibrate okay
a measurement of how realistic our simulations