0:00:03 | here is a great in parallel bar |
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0:00:06 | if you put a point of the waves in the flat grading which way we'll |
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0:00:10 | the waves go |
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0:00:11 | the shape of the spiking helmet is actually a clue more about later |
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0:00:16 | we experimented with sound in microscopic grading |
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0:00:20 | structures like this local phone only crystals was acoustic properties have been engineered to vary |
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0:00:25 | periodically in space |
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0:00:27 | in the experiment blue laser light of this create tiny time triples by deleting a |
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0:00:32 | small ball |
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0:00:34 | infrared light pulses detect the ripples |
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0:00:36 | this time pitch is very high around one together with amplitude in the peak a |
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0:00:41 | meter range |
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0:00:42 | with down the detection one and change the timing of the latent vote is to |
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0:00:46 | make movies of the ripples using interferometry |
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0:00:49 | our grading is made of tiny colour and delay constraints on a silicon flat and |
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0:00:54 | this is coded with goal |
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0:00:56 | we've by i like the pulses repetitively at the center of a one and you |
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0:01:01 | might want square area |
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0:01:02 | this movie slowed down a thousand million times |
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0:01:06 | let's analyze different frequencies |
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0:01:09 | at low frequencies we see roughly circular ripples |
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0:01:13 | actually this is reasonable because the sound wave length is about ten microns much larger |
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0:01:19 | than the grading by a |
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0:01:21 | so this time detective it doesn't see the grading |
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0:01:24 | but at high frequencies we see this interesting shaped pattern |
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0:01:29 | and the x shape close is at higher frequencies |
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0:01:32 | the top row shows that we can get the same effect numerical simulations |
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0:01:37 | but bottom row is experiment |
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0:01:39 | now that and of life sound wavelength understand the in these images |
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0:01:45 | there are two important space is called case phase and group velocity space |
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0:01:50 | for a given frequency in case space we plot inverse of the wavelength or rather |
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0:01:55 | the wave number in the x and y directions |
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0:01:58 | in group a multi-space shown on the right we plot speed of a sound files |
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0:02:04 | in this approximate analytical approach at low frequencies we get round shapes in both spaces |
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0:02:10 | this means the ripples are roughly circular |
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0:02:13 | as the frequency increases we hate of and got in the horizontal direction of direction |
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0:02:18 | weights can travel visible through the opening so in case space |
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0:02:24 | and this makes to the in group a two d space |
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0:02:29 | these two circles position at higher frequencies |
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0:02:34 | in case basis weights to vary strongly perpendicular to the turning points in the curves |
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0:02:40 | in group a multi-space biz correspond to joining the times of the circles |
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0:02:45 | this produces the shape with or |
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0:02:48 | if we see all frequencies to get a group of l d space looks like |
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0:02:52 | this |
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0:02:54 | so now d the relation with the viking helmet |
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0:02:58 | imagine a cross section three the helmet here |
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0:03:01 | it is just the circle and that gives the round trip will happen |
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0:03:05 | what is use like the helmet at higher frequencies that means higher you get too |
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0:03:10 | small circles |
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0:03:12 | so the way the channel in the direction of these two circles |
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0:03:16 | this explains why exchange close is at higher frequencies |
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0:03:20 | actually i should rotate the ice of this helmet to correspond to experiment like the |
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0:03:29 | the spiky focusing buttons a cold costings |
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0:03:33 | you can find them in coffee cups |
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0:03:35 | and also when you generate sound waves on real crystals |
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0:03:40 | so point so integrating produces an x pattern code by acoustics related to the band |
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0:03:46 | is that they should also be seen in a variety of spatially periodic structures and |
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0:03:51 | is not just confined to stand |
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0:03:53 | it would with electromagnetic or what waves for example |
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0:03:58 | i will conclude by saying |
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0:04:00 | for that |
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0:04:02 | which is the biking for thanks policemen |
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